If Blanco’s catalogue has long been defined by constant reinvention, CAFE PARADISO represents a new kind of clarity. Following 2022’s Stay Close to Music and the 2023 Postcards from Italia EP, Blanco stepped away from recording to pursue a Master in Fine Arts in Switzerland, deepening a multidisciplinary visual art practice before returning to songwriting with renewed focus.
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“I love creating music but I’ve never liked the idea of being a one-trick pony”, Blanco explains. “I need to check some things off my ‘Life List.’”
Recorded in New York and shaped in collaboration with longtime creative partner and producer Drew “FaltyDL” Lustman, CAFE PARADISO moves fluidly between styles and scenes, pulling together fragments of dance music, art pop, underground club culture and genre-splicing experimentation into what Blanco describes as a “three-act play” or “a festival album”, citing references as diverse as Saint Etienne, The Silver Apples and Towa Tei.
At its core, however, CAFE PARADISO is an album about stillness, observation and the quiet intensity of being alone in public. “It’s not a point A-to-B record, or a pre-game record”, Blanco says. “It’s an album about enjoying your own company”.
CAFE PARADISO does not mark a rupture so much as a refinement in the career of Mykki Blanco. Drawing together years of experimentation across music, performance, and visual art, which has seen him collaborate with artists including Arca, Basement Jaxx, Charli XCX, Jamila Woods, Blood Orange, Kelsey Lu, Michael Stipe, Anohni and Jónsi, this album arrives at a point of transient clarity – it is a confident statement of intent, positioning Blanco not simply as a shape-shifter, but as an artist in full command of his present form.
